![]() ![]() Then Dali got so carried away with critiquing the anteater’s work, that he forgot all about his pink rhinoceros, and had to finish it the next day. The anteater bowed its head as thanks for the compliment. “Fantastic composition ,” Dali said, impressed. It was quite abstract for a landscape painting: the sun was at the center of the canvas, while all the trees and hills were placed around it, in the corners. He painted his most famous work, Guernica (1937), in response to the Spanish Civil War the totemic grisaille canvas remains a definitive work of anti-war art. But when he got closer, he noticed that the painting was very interesting. He moved towards the animal angrily, ready to yell at it. The animal was painting the landscape in front of it, and by its leg Dali noticed the tube of black paint. He found the anteater standing in front of a canvas of its own. “Curse that anteater!” he screamed and ran downstairs. When Dali looked out through the window, he saw a silhouette standing in front of his house. The cat’s spotted fur now had a warm hue due to the light coming in through it. First Dali suspected his pet ocelot, but he found the cat sleeping peacefully by the stained glass window in his studio. “Dios mio, it looks more like watercolor than oil paint!”Īnd when he went to make it darker, he discovered that his black paint was missing. It seemed too light, no matter what he did. When he finally felt satisfied after mixing thirty different combinations of paint, he couldn’t get it to look opaque enough on the painting. It was really important to him that the rhinoceros in his painting was the right shade of pink to highlight its horn. He was working on a painting he just couldn’t finish.įirst, he couldn’t get the right hue, no matter how hard he tried. However, the portrait of Gala, like most of her images, is made with such photographic care that hyperrealism comes to mind, which appeared as a term, however, only a decade later.Salvador Dali had been standing in front of his canvas all day. In addition to rhinoceros symptoms, Dalí painted Gala along with two mutton cutlets, a swan and a lobster. The matter that was depicted in it crumbles into the same rhino horns. Raphaelesque Head Exploding, another picture of the “nuclear mysticism” period, was painted three years earlier. The rocks are reminiscent of the views of Cadaqués, where Dalí and Gala met in 1929, and where the couple acquired a fishing hut without electricity or running water in a nearby village a year later, which became their personal hut paradise. The same horns in the background fly off the rock in fragments, as if from an explosion. Solid and fragmentary horns in the picture are Gala’s neck, resembling a tornado - the artist did not fail to hint at the eccentric nature of his inspirer. Thus, with a manic fervour, Dalí became an adherent of the theory that the horn of a rhino is the basis of any form. In the early 50s, the artist was visited by an insight, about which he wrote in his diary: the body of Christ, which he painted then, entirely consisted of those elements. Salvador Dalí has always liked rhinoceroses after he received such horn as a gift from a Flemish poet. ![]() The many landscapes which were painted during that period reflected the enormous fear that the news of this explosion gave me.” Since then, the atom has been my favourite food for thought. Dalí recalled this event as follows: “The explosion of the atomic bomb on 6 August 1945 shook me like an earthquake. ![]() In the works of those years, he allegedly reproduced an atomic explosion by splitting objects into fragments. Salvador Dalí, like many other artists of the time who practiced nuclear art, was shaken by the nuclear attacks on Hiroshima and Nagasaki. ![]() This became the reason for the cooling of the relations between the brother and sister.ġ954, the year of the creation of this canvas, was marked by the period of the so-called “nuclear mysticism”. Soon after meeting him, she replaced his sister, Ana Maria, who posed for Dalí in the pre-surreal era of his work. Gala, Dalí’s muse and beloved, whom he called his Helena of Troy, Saint Helena and Galatea the Serene in his dedication of his Diary of a Genius, occupied the central place in the artist’s work. ![]()
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